The Loy Luo Theoretical Collection is a bilingual series of essays exploring the philosophical and cultural dimensions of abstract art. Published by Loy Luo Studio (New York), this ongoing collection bridges visual practice and critical thought, forming part of the artist’s long-term theoretical project.
（中文）
《罗一理论文集》为艺术家罗一持续的哲学与艺术研究计划，聚焦抽象艺术的思想起源与文化逻辑。本系列由罗一工作室（纽约）出版，旨在通过持续性的写作与理论探讨，构建艺术实践与哲学思考的对话桥梁。
Response to Criticism of Textualization in Contemporary Art – Dominoart 2022
Responding to Criticisms of the Textualization of Contemporary Art With an Example
By Loy Luo
Part of the *Loy Luo Theoretical Collection* (Online series)
© Loy Luo, 2025. All rights reserved.
Publisher: Loy Luo Studio, New York, USA
Website: www.loyluospace.com / www.loyluo.art
Email: info@loyluospace.com
ISSN [to be assigned] (Online serial)
DOI: [to be assigned]
Originally published on Loy Luo Space (2022.04.24).
Revised and adapted by the author for inclusion in the collection.
Licensed under Creative Commons Attribution–NonCommercial 4.0 International (CC BY–NC 4.0).
Selected Articles
"Response to Criticism of Textualization in Contemporary Art" – Dominoart 2022
"Minimalism is Not Abstract, Not Cold" – Artron.net / Art International 2016
Suspending is high-grade gray 2015
The Historical Logic and Inner Philosophy of Abstract Art Dec, 2015
Void Lingers in Void, Abundance Vanishes inside Abundance 2015
Dialogue with Jia Fangzhou on Wu Guanzhong (2010)– Published in Wu Guanzhong Studies(2017)
"Manifestation of Tao in Sculpture Art" – Docin.com 2010
"Non-phase as Phase" – BIFT Journal 2009