Anitya-Windows Through Windows_2025_LLS

阿尼提亚：

通过 Windows

2025.8.16 – 9.18

罗洛空间——纽约

纪事报

《Anitya：透过窗户的窗户》代表了罗洛对“窗户”这一反复出现的艺术主题的长期探索的高级阶段。

本次展览源于对罗洛空间独特空间条件的回应：一个由大型透明窗户界定的转角展厅。在一个本身就是窗户的空间内呈现关于“窗户”的展览，使展厅不再仅仅是艺术品的容器，而是成为展览不可分割的一部分。展览本身也因此成为一件完整的艺术作品。

罗的早期“窗户”系列作品主要探讨在物理空间中观看与被观看的行为及其隐喻意义，而《阿尼提亚》则将这一探究延伸至更广阔的艺术生态领域。这个透明的展览空间位于纽约街角，引人注目，将“被观看”的概念从视觉体验转向了关注、认知和存在方式等问题。这一探究方向也为罗后来的作品《认可与虚无？》奠定了基础，该作品探索了艺术界的制度结构和认知机制。

在此阶段，展览不再仅仅是艺术作品传递意义的场所，而是逐渐演变为艺术作品本身。更重要的是，这种展览向艺术作品的转变并非独立发生，而是在罗“图像剧场”概念发展之后自然而然地涌现出来的。一旦图像不再仅仅被理解为观看的对象，而是被理解为感知行为展开的剧场，展览空间也随之成为一个更大的剧场——一个承载着艺术作品、观众、机构以及意义生成本身之间关系的剧场。

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新闻稿

Impermanence in Focus: Loy Luo Opens “Anitya – Windows Through Windows” in NYC

New York, August 16, 2025 – Loy Luo Space is proud to present Anitya – Windows Through Windows, a solo exhibition by artist Loy Luo, on view from August 16 to September 18, 2025. Centered on a quartet of celadon-hued panels and a mixed-media window-frame installation, the show merges the Buddhist concept of anitya (impermanence) with a refined contemporary visual language, exploring the subtle intersections of time, being, and perception.

Entering the gallery feels like standing before a silent window. Light glides across surfaces, textures ripple like currents beneath still water. The window is not only a frame for an image but a threshold between inner and outer worlds, between the visible and the invisible. By pairing a physical wooden frame with the illusion of painted depth, Luo invites viewers to experience presence as something simultaneously projected, reflected, and enveloped.

Anitya—meaning impermanence—is one of Buddhism’s Three Marks of Existence, alongside dukkha (suffering) and anatta (non-self). In Luo’s work, this truth unfolds through shifting light, mutable emotion, and even the gradual transformation of static elements like wood and wall. Every encounter is singular, because each moment exists only now.

Lulu Dakinah

Exhibition Details